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#Each 12 spaces in a column represents the place to put the results of The Szondi Test.
(Our idiosyncratic experimental tool and spectrograph of the third pool of the unconscious.)
This is because there are only six reagent facial photos on (2”x3” cards)of each of the eight basic gene passed psychiatric conditions. A subject is forced to choose two like and two dislikes in six sets, therefor ends with 12 likes and 12 dislikes. The Grill is to organize these choices for study and to make visible different choices on different days for the subject..
This works according to Prof. Szondi, because there exists a language of choice that is an expression of unconscious preferences set by a persons ancestors. He came to this belief from facts he had uncovered in his earlier decade long genealogy studies conducted in Hungary.
The grill is filled in from the mid-point up as liked.
Down as disliked.
#
[h]= photos of males over-charged with feminine Eros.
[s]= photos of sadism over-charged males.
[e]= photos of epileptics in over-charged purity phase.
[hy]= photos hysterics in exhibitionistic phase.
[k]= photos of sub-catatonic narcissistic phase persons.
[p]= photos of super-rationalistic sub-clinical obsessed persons.
[d]= photos of object searching and potentially anal-sadistic persons.
[m]= photos manic phase, oral and primitive dependency seeking persons.
The language here perhaps seems odd. This is because each PSYCHIATRIC CONDITION, now called a FACTOR changes its meaning in respect to the tested individual to its polar opposite. The curious linguistics is intended to reflect this double sometimes reversing use.
Here is an example of a subject who, disliked 3 depressive photos and liked 3 manic ones. The citation at the top is Szondi’s capsulization of the interpretation of what such a choice means. Most students today would prefer to say –[d-] [m+] “Subject…..perfers a mode of adaptation modeled after an earler incestous like relationship.” His mode of saying it includes the love and hate ambivalence. And those who replace once loved persons with ideas and other substitutions.
